Move As Fast As You Can Think

Run the choreography at a speed at which you can easily remember what comes next. Do all of the actions and any acting beats — pauses in movement, but not pauses in intention — in the right order without stopping. Usually, this is a much slower speed than...

Mastery

This video is making the rounds. I’m currently dabbling in penmanship, so I eagerly gave it a watch, and then at 2:07 I was struck by what Master Penman Jake Weidmann says about what it took to get to his high level of skill and artistry: I seems to me that...

Movement As Dialogue

As promised, we’re looking at methods and exercises for rehearsing a fight scene! Today, we begin with a foundation concept when approaching your fight choreography which lays the groundwork for the upcoming series. In many cases, actors remember the sequence of...

Don’t mistake Tension for Intention

I’ve been reading a fantastic book called Physical Expression and the Performing Artist. It explores peoples’ misconceptions about how their bodies work, and how many of us subconsciously add tension in order to make our bodies move the way we think they should. All...

Style Guide: Karate

Karate is again an umbrella term, this time for many of the martial arts of Japan. It’s considered a hard style, though there are some varieties which have exceptions to this. As a generalization, Karate uses a balance of hand strikes and kicks, and tends to...

Style Guide: Kung-Fu

Kung-fu translates to “any study, learning, or practice that requires patience, energy, and time to complete” (Wikipedia), but in the West it tends to be an umbrella term for all Chinese Martial Arts. Writing a style guide for all of Kung-fu is a bit...

Style Guide: Judo

Judo is known for throws and take-downs. Through a mechanical lens, check out the aggressor uses incoming energy — whether provided by the victim or whether caused by the aggressor — to initiate the action; look at how the aggressor uses leverage, balance...